Friends, “Tempo Di Recupero” is currently up for the remainder of Decmber, 2022 at La Taverna Slow Shop & Bar in Polcenigo, Italia. Huge thanks for those of you who came out on opening night with amazing energy and great questions. If you aren’t in Italy, but are still interested in checking things out I built a process page for this work that can be viewed here. Eventually, I will archive both of the shows I had at La Taverna on my exhibitions page. But for now, I must tackle test prep for the dreaded PRAXIS exams I’ll be taking very soon 🙄
I was building an illustration this afternoon and stumbled upon this in the file preview. I thought it was worth capturing and preserving here. Something about it…Working up against some early December deadlines on a few projects and an upcoming exhibition—see announcement above 😀 Also allegedly preparing to take the praxis core, although I still need to study more of the math. Guess we’ll see what happens. Enough for now—ciao.
move the body—feel better…
Another quick writing post for today to accompany some photos I took on the heels of my 6 day trip back to Texas (see previous entry). We decided to tackle the “Ferrata la Farina del Diavolo” near Udine, Italy per the recommendation of one of our friends. Out of all the ferratas I’ve done (a-hem…not many) this was probably my favorite in terms of the route. It was super well-maintained and just challenging enough to get the blood flowing, but not scare an amateur like me. If you are in the area and want a lot of vertical climbing, but with plentiful holds (both human-made and natural) I would definitely recommend it. I did this the day after flying back from the CST time zone in the U.S.—I can’t say it helped me sleep better that night, but after a long plane ride it felt great to get out and use my body after 20+ hours of travel the previous day. Speaking of moving the body…time to head out for a mountain bike ride before it gets dark at 16:30. Short days are a bummer—ciao.
⬆️ On my family’s property riding my uncle’s FC 450 (see info on the number his #550 Bell Magnum below). It always feels good to get back on a motorcycle where I learned to ride in the rocks and dust on a PW50. I’m wearing a Mattia Guadagnini hoodie—”101 Speedy Guada” (also see more info below)—photographed for my friends in @Astroclub.y
A fast, but fun week—and now jet lag 😴
Quick post for today: Last week I had the opportunity to travel from Northern Italy all the way back to Texas for my grandfather’s induction into the Amarillo Area Motorsports Hall of Fame. It was a special event for my family an amazing opportunity to get home to West Texas to connect with my family—and—with the multi-generational legacy of racing in our family. The trip was both fast and amazing, but I’m also always happy to get home. More soon—ciao.
A few selections from recent writing in my sketchbook tells the tale. Planning, prepping, and considering a lot of things right now.
From 30,000 Feet:
Well, here we are. Amanda and I have been living in Italy for around a year and nine months—it’s insane how fast time has gone by. Our experience has been fulfilling and restorative in so many ways…be it travel, making friends, language learning, professional skill building, new forms of physical activity, etc… As our time progresses, we’ve naturally been presented with many potential scenarios regarding what we’d like to do next once our formal commitment here in Italy is finished. At this point there and many ways things could potentially play out. This, of course sets the stage for some pretty heavy decision making in our near future. Heavy decision making is almost never fun 😬.
I’ve been preparing for another exhibition this December (I’ll talk more about that below). Because of this, I’ve been spending a lot of time in the sketchbook. For me, time in the sketchbook always brings up the classic big questions—regardless of the project I’m working on. I pulled some of those blurbs from the sidebar to build the header for this post because I think they unconsciously attempt to put a finger on some of the existential questions we face moving forward. The best action always seems to happen in the sidebar. Lots of things are still uncertain at this point I can’t exactly talk about in detail here, but I thought as an exercise it would be good for me to lay things out broad-strokes style in hopes of further unpacking some of those ultra-pithy blurbs from the sidebar.
⬆️ Me enjoying an incredible sunset in Sardegna this September—I’m one lucky dude, indeed ( 📸 by Amanda ).
I’ll start with just me. As I mention in the caption above I’m insanely lucky to have this opportunity. Looking beyond the veneer of travel photos, there have been several deep shifts for me personally since we moved. I was at a low point after my mom died in the early Summer of 2020. That loss affected (and still affects) me profoundly—combined with the Covid-19 pandemic, the insanity of the 2020 election, plus managing expectations in a tenure track position at a university exhausted me mentally and physically. The change in my work and in the pace of the culture we live in has been restorative. We live in a rural area near the mountains. This has provided a physical space for reflection that is both tranquil and beautiful. It’s also a space that lends itself to exercise. Having mountain bike and hiking trails in such close proximity to our home has allowed me to reconnect with my love of all all things related to two wheels—and—with really just being outside in general. Of course, the physical activity is great from an exercise/calorie burning perspective, but the mental aspects of deeply engaging in a hobby that is not “work” is where the real restorative benefits seem to be 🤔.
Amanda and I have been able to travel often in our van. This has been great for us in so many ways from our relationship to our language building skills. We’re also super lucky to live and work in proximity to a very active and skilled community of people who also love doing things outdoors. This has led to rock climbing excursions and dare I say it… me actually learning how to do stuff in a gym, lol. Long story short, we’ve both been trying lots of new stuff and pushing ourselves beyond our comfort zones physically and mentally. When I taught graphic design I spoke a lot about “creative fuel” with my students, as I often saw them trying to work through burnout. I was certainly in a deep state of burnout, but I’m feeling like I have some fuel back in the tank now, which is nice. I’m not sure I understood how low I was on fuel until I was blessed with the opportunity to hit the pause button and forced to make some major changes with my daily routine. The first several months here I would take multi-hour walks in the morning through foothill trails and also on gravel orchard roads behind our town. I think it was during those walks I realized how run-down I had actually become. It took the better part of a year for that fog of mental and emotional exhaustion to begin lifting.
Learning to speak Italian has been a brutal, amazing, ass-kicking, humbling, beautiful experience. I was hoping to be further along after almost two years here, but it isn’t stopping me from continuing to try. Much like losing weight or building muscle, the progress is so slow it’s difficult to recognize until one day you say or understand something that gives hope that things are, in fact, getting better. Then there are the days when it feels like everything is backsliding, but I have learned to accept that the deep nuance of this language is something I will never fully get a grip on—and thats ok. I’ve taken up listening to Italian podcasts while I make long climbs on my mountain bike. I’ve been listening to Muschio Selvaggio—it’s a basically a group of young dudes that bring in a guest and ask them questions. It’s mostly Italian pop-culture related stuff—and it’s full speed and funny as hell when I can understand what they are saying. I’m probably only getting 30-40 percent right now, but comprehension at full speed with interference is improving. I’m not sure if doing this while my legs are on fire from climbing is good or not, but I see it as an opportunity to learn and practice focus / patience where I’d otherwise be listening to music or podcasts in English. Perché no??
⬆️ Via Ferrata, consider the comfort zone officially pushed 😬
My making practice is in a solid space right now, but I could be pushing harder to break into new domains. Problem is I’m having trouble deciding where to focus creative energy. I’m photographing, drawing, writing, and illustrating more than I have in a long time. There’s less pressure attached to what I choose to do now that it isn’t unhealthily tethered to a tenure process I don’t believe in, but less pressure and looser deadlines are a double-edged sword. That said, I believe that steady engagement in the processes that feel right will produce the right outcome(s)—whatever they may be. I have so many interests. —to start—I want to start working in the action sports industry—specifically motocross/enduro and mountain bike domains. Nothing definitive in terms of producing outcomes has materialized yet, but I have built meaningful relationships and am actively monitoring what opportunities are out there—but—I also had an illustration exhibition at local gallery that went so well I was invited back for another—so I’m pumped about that, too! —and—I finally had the time to build an online shop (see video and link above). While again, not really making much money a-hem—yet the process has been exciting and I’ve learned a ton. —on top of that—I’ve had a good time building books pro-bono for a Gainesville non-profit I care about…getting ready to start another project for them as I write.
⬆️ Documentation from my first show at La Taverna, “Fare o Essere”. I have another show, “Tempo di Recupero” coming up this December I’m currently getting ready for 😀
—and finally on top-top of that—There is an important/valuable project I left behind with my last job in academia I’d like to pick up again—Creative Perfomer. I have a first full draft of a handbook just sitting on my desk next to me as I write this. It’s in dreadful shape from a writing and editing perspective, but the framework is there. I think because this project was so central to my “tenure” package when I decided to formally leave my last job something snapped there and I just didn’t want to look at it again. I had already collaboratively rolled hundreds of hours into this project with Amanda and I just kinda let it die on the vine—sad story. Now that I do have some fuel back in the tank, I’m starting to feel some desire to continue with that project to see where it leads—or maybe it’s just indigestion, who knows.
Without question though, one of the best / most sustained things I’ve done since moving is keeping this journal at least semi-regularly updated. It has provided a home for photos from my cameras as well as my thoughts / ideas on our collective experiences here. Looking back over the posts from the past year and a half it’s easy to see areas of progression and stagnation. Optimistically though, I would say the overall arc is one of progression. It’s nice to have a record of that progression to refer to and a companion to my sketchbooks.
⬆️ An online workshop teaser Amanda and I made for Creative Performer. We ended up creating a catalog of 4, one hour workshops. 4 hours—that’s a lot of material! The way we created the workshops in progression made it easy to build the framework for the handbook. Now to finish…
⬆️ PRAXIS: why must there always be hoops to jump through that cost money?
And now, finally to the professional aspect of things. I’d more or less say my “career,” is the thing that has suffered most since I’ve been here if you’re looking at things from professional title or monetary perspectives. I mentioned leaving my last job was mentally healthy for me. It was a great job that paid well and even though I knew it was good for me to step away it was still really hard to walk away from. Amanda and I could have maintained a distance relationship so I could keep my job, but our relationship was / is without question the more important priority.
Amanda is carrying the earning weight here while I am working part time and managing things at our house. She does an excellent job at something very few people are qualified to do—and her job is the primary reason we are here. Her job is also very demanding and stressful at times—facts. I’ll be honest though, not feeling like I’m contributing enough monetarily bothers me even though what we are doing now is working well. Unfortunately, my steady creative activity here (while fulfilling) is not making up for the income I lost when I left my last job. Maybe it’s toxic aspects of masculinity causing these feelings? Both of my parents worked growing up and it has been a long time since I haven’t had a “formal” full time job. I feel like I’m doing something wrong here. I want to take more burden off Amanda, but there is nothing I can do that will change the unique demands of her work here—facts. Inversely, me earning more now could set her up for a sabbatical later—also facts. Of course, I work hard to make things low stress at home so when Amanda is off work so we can make the most of our time together instead of worrying about running errands.
The only thing I’ve identified that could pay well and would allow teaching in a creative domain—which I definitely miss—would be teaching art or digital media at the K-12 DoDEA school on base. I started the formal application process to become eligible to apply for DoDEA jobs and unfortunately even though I have an MFA in my field of desired teaching and over 10 years of formal teaching experience I have to take 6 Praxis exams to even be eligible to apply. Of course, each exam costs money 👹. On top of this, I don’t even know if they will have an opening while I am here. It’s a big if. My first reaction was no. Teaching K-12 has never been something I’ve felt particularly driven to do—I enjoy working with folks over 18. The thought of dealing with parents just doesn’t sound like fun to me.—buuuuut—I do miss teaching and being formally qualified to teach K-12 would round out my existing skillset. It would also give me something to sink my career with a capitol C teeth into and make some actual money should we decide to stay here longer than our original commitment..which is potentially possible. And it’s pretty much impossible to beat the flexibility of an academic schedule.
I’ve started studying for the Praxis core. I’m not worried about the writing and reading sections, but I’m finding it incredibly difficult to even open the math study materials. I made an intentional move away from ever having to take another math class again a looooong time ago, yet here we are, lol. I guess feeling prepared for 2/3 ain’t bad. I’m still not sure what I’m going to do yet. On paper ponying up the money and taking these tests makes the most sense. Intuitively though I have pretty serious doubts. If K-12 is something I know I don’t want to do long term is it worth the time/$ and potentially setting sail down this dubious path if something does happen? I suppose one can always change course. We’ve done it before and I’m sure we could do it again. Enough privilege-laced rambling for now—going to keep working on this and feeling thankful for this experience—ciao.
⬆️ I did break from the digital camera for a little toy camera action. We made the most out of one roll of Kodak Portra 400.
⬆️ We stopped in Pisa just outside the port, which was located in Livorno. What a bizarre and spectacular site this was!
➦ I still can’t believe how easy it is to just rent a boat (I’m talking about a real boat with a 40HP outboard motor, people) and literally go out to sea with it—the Tyrrhenian sea in this case. They call them “Gommone” in Italy, meaning “rubber dinghy.” At any rate, renting the boat was awesome, and it allowed us to see everything from a completely different perspective.
⬆️ My wine knowledge pretty much stinks, but I’m told Vermentino is the most popular grape / variety of wine in Sardegna—this is usually a white grape. That said, we tasted all different varieties of wine, both red and white at a super neat small vinyard called Cantina Ligios just off the Northern Coast. They also let us stay in our camper overnight on their property (photographed). This was a good thing, becasue we had a very generous tasting paired with some food. Other guests who where staying on the property joined us for the sunset event. We literally met people from all over the world—and everyone was incredibly nice. We sat a tables family style and it just felt like a room full of old friends—it was both a beautiful and reassuring experience.
⬆️ My mind was pretty much blown by the experiences on the “traghetti” and ferries with our van. We ended up going round trip from Livorno to Olbia on Moby Lines. The experience was peculiar and exciting, but also relaxing and relatively easy at the same time—it’s like a massive floating parking garage with a hostel built on top. One leg was overnight, which was nice since we booked a cabin space on the boat for both legs. Lots of folks brought blow up mattresses aboard and tried to sleep out in the open. No thanks. I will say boarding and arrival were both pretty chaotic with everyone aboard the ship scrambling to be the first on and off the boat. As a kid from West Texas where there was very little water to be had anywhere, the concept of just driving a large car onto a ship and sailing across the ocean felt pretty crazy. I suppose after a few trips that feeling might wear off a bit. I digress.
Driving vans onto big boats never felt so normal…
S A R D E G N A: Polcenigo > Bologna > Firenze > Pisa > Livorno > Open Sea > Olbia > La Maddalena and back again—a complex trip indeed, but traveling with the van not only made it possible, but fairly easy! We were fortunate to have friends and family visit pretty much every month this Summer. As great as that was, we didn’t get a ton of time to explore new areas of Italy / Europe for ourselves. Sardegna has been on our bucket list for several years, and I’m so glad we go to see it—and experience it the way we did with the van and bikes. We had one week and we made the most of it. Although we only got to see about 1/2 of what we would have liked to have seen, every day was full. We decided to focus on the Northern half of the island for this trip thanks to the guidance of good friends from Italy that were generous enough to sit down with us and a paper map to discuss and mark points of interest. They also warned us not to try to pack too much in. They were right.
We ended up spending three nights on the island of La Maddalena. We had only planned to stay there one night, but it just didn’t work out that way. Once we got off the 20 minute ferry with the van from the main island of Sardenga we just kept finding amazing spots to experience the coast and the water. We stayed at two quirky campgrounds while there. Both sunset shots above were taken just in front of where the van was parked at our first spot, where we stayed two nights—damn, it was awesome.
It was an incredibly hot and dry Summer here in Northern Italy. Days are now getting shorter and it’s definitely starting to cool off. Sardegna was not cooling off so much, lol. It was still hot there in mid-September and I pretty much sweated it out in the van trying to sleep every night. The wind and dust reminded me a little of West Texas, but the landscape was rocky and breathtaking at every turn—particularly when views of the coastline were involved. I don’t think I’ve ever seen water so clear. Many folks compare the landscape to the moon—they even have a stretch of highway there (rocky vista photo sans-ocean above) called the “Lunar Highway.”
We have a solar panel and propane that powers essential stuff in the van, so with a full tank of water we survived pretty comfortably without needing electricity access (thank god for battery powered camping fans, though). Our blackwater tank lasts about 5-6 days—it’s smaller than our last camper’s tank, but MUCH easier and more hygienic to empty 🙏 . All that said—the ability to be mobile seems like a good fit for Sardegna. Even though most of it is rural there are plenty of resources for people in campers. I suppose the locals probably get sick and tired of seeing people like us come through. However, everyone we interacted with was super nice and spoke to us in slow Italian so we could understand and communicate with them effectively. The island has a very complex history when it comes to languages and dialects (and culture/religion for that matter—just read about the flag), so I was pumped we were able to practice our Italian. Of course, almost everybody also spoke English, too—this is always both convenient and embarrassing 😅 We met lots of locals, we bought cheese and wine that came in what I would call up-cycled 2 litre water bottles from their trucks, end we even got a little home-made bottle if Mirto that I’m actually sipping on as I write this. We also met lots of really friendly Germans—I suspect they were soaking up the last bit of sun before they go back to a long and dark Winter season. I even took pictures of a couple that were just married and they shared a bottle of their wine with us on the beach.
All and all the trip was an excellent lesson and an active exercise in remaining flexible. We were able to stay more or less off grid in the van pretty much the whole time. Having the language skills to navigate the ferries and ship boarding process helped a ton. My Italian still stinks after 1.5 years, but I’m still progressing. On the way home we slept in the center of Florence for a night in public access parking. It was awesome! And a little uncomfortable. Having the bikes on the back of the van added to our ability to be mobile. I never thought I’d be able to bike through Florence, but it was definitely nice to test out the bike lines in many parts of the city.
I always say this, but maybe I’ll add to this later. Lots of thoughts that have yet to be articulated, but for now, an abrupt end and bed. Ciao.
a work in progress…
⬇️ ⬆️ After going through the process of creating the “Fare o Essere” collection for my first exhibition here in Italy, it’s nice to see these prints together in context with other things I’ve made in the past. Putting trust in another entity (threadless) for printing does feel a little strange, but their range for printing is pretty astonishing. While I’d love for the shop to be financially successful, I’m finding value and satisfaction in the process of simply sharing things I’ve made again. The fact these things have life feels good and it’s fun to play around with the graphics on different media platforms—in many cases it’s thought-provoking to play with mockups of the designs on different types of products because of the context of the product. Example: putting the “Nothing Worked Today” graphic on a blanket adds a whole other level of meaning I never considered prior as opposed to putting it on a shirt or sticker. There’s no way I could replicate this with the production tools I have here…so…I’m going to keep refining the shop and we’ll just see where it goes. That said, I’m not giving up on printing myself! I have some exciting things lined up for this December I’ll be sharing in the coming weeks.
⬆️ I’m definitely still learning how to make my shop build better. I created my first collection to house the Fare prints, but I can’t say I’m a huge fan of how the menu is working on my site as of now—it’s too complex. I keep learning new stuff to streamline things as I go. As I mentioned earlier though, it is nice to actually see this work together with production potential. I can’t help but frequently think back to when I was in college starting my career as a designer. I thought I was a badass because I had the hard drive partitioned on my 1st gen iPod to store both my music library and my design files (as opposed to ZIP drive). That was such an exciting time. I was making lino-cuts and running over the plates with my car to make a print. And now this is the landscape designers are coming into—ready made digital spaces to show and potentially sell anything on any surface. It’s freakin’ crazy, man! Sometimes I think I should just go completely analog—or maybe even in totally different career direction with everything going on with AI generated imagery etc…but then the sketchbook or camera calls and I just can’t help myself. I have to make stuff.
⬆️ My first design submission from my shop to the threadless website…I reckon the idea is to up-vote the submission as much as possible to get the main threadless site to pick up the design from individual the artist shops. Not gonna lie, figuring out how these sites are related and how they differ was a little confusing from a design perspective, but what are you gonna do? I know the threadless site came way before artist shops, so they are kind trying to Frankenstein them together for lack of a better term. I was also bummed to see that only people within the threadless community can vote on these designs. I suppose I see why given the kind of social media followings (or even leveraging bots or fake accounts) people with power can leverage these days, but it makes it tough for someone without an existing following on threadless to even get votes. I’ve noticed many folks that sell through shops and on threadless leverage discord and reddit pretty heavily—I have pretty much zero interest in spending a lot of time in either of these spaces. Alas, I’ll keep trying.
No country for fragility…
“Via Ferrata,” or “Iron Way” is a climbing method developed by the Italian Alpini. The method started out of necessity during the 1st World War—primarily to transport soldiers and equipment up the insanely steep mountain faces in Northern Italy to engage the Austro-Hungarian Empire in mountain warfare. It’s basically a thick cable that goes in a route up the face of a mountain. To use the cable, you wear a climbing harness with two large clips attached to it. As you ascend, you clip into the cable as you go up. These cable routes are all over the place here (along with extensive cave networks cut into solid rock) and continuously maintained by groups of Alpini. What does all this mean? It means a goofus like me with little to no climbing experience and a few lessons from a pro can shimmy up the side of a huge vertical mountain face without extreme fear of falling—a-hem…I mean…there is still SOME fear 😬. Wanna see photos from my first Via Ferrata? Check them out here! The skies were a bit brighter that day, so the images are definitely a bit more vibrant tone-wise. Plus, we were way higher in the Dolomite, just outside the town of Cortina.
I can’t imagine what it must have been like to be in charge of creating these routes and fighting/living in such extreme conditions in pretty much all wool clothing during the WWI and II eras. I’ve only been a few times, but each new experience is pretty incredible. It’s not the easiest place to tote a camera around your neck (even a small one), but I managed. Speaking of—we encountered some light rain on this particular trip, which made the rocks super slippery. I’m glad it didn’t open up on us—the camera got a little wet, but I was able to keep it out the whole time. I think it might be time to grab a newer gopro. It’s crazy how good the anti shake technology has become in such a short period of time. Huge thanks to the folks we went with on the trip that have more expertise in this area than Amanda and I do. We’re still new at all this mountain stuff, but we are learning. An most of all, huge thanks to the Alpini for making it possible for us noobs to climb mountains! Enough for now—ciao.
2009: “the internet—the electric speedstick:”
As seen on your local instagram feed:
02.19.2009: I was going through some old files this morning and stumbled across my thesis project from graduate school. Long story short, I wrote daily responses every day using twitter and google search trends as source material. At the end of a week I would choose my favorite piece of daily writing and make an illustration about it. The writing and all of the illustrations became the physical exhibition. I also built (and continuously re-built) a website to document everything in real time, logging daily writing and posting illustrations as I made them. I printed the posters two-sided—one side image, one side source writing. The whole thing was really raw, and ultimately ended up becoming very personal. At the time, I thought I had spun off the rails at the end of the project, but looking back at this final dual-sided image post…my sleep deprived, gin soaked brain was onto something. facebook and twitter had only been around for a little bit, and instagram hadn’t been released yet. People were just getting their first-second gen iphones. But from the rigor of posting, writing, and looking at news trends I was experiencing fatigue I’d venture to say is pretty normal for anyone on the internet or social media today. But it’s not only about “post it” volume, it’s also about the convergence of digital and physical worlds, which we’ve seen over the past few years has deep “real-world” consequences—in particular when viewed through the lens of geopolitics and misinformation. The internet IS a war zone—a self referential “Wild West” kinda place complete with cowboy-clowns wearing hot pink hats and guns. Yeah, that feels right. I felt kind of embarrassed about this at the time, but looking at it now over ten years later the absurdity of this image makes perfect sense. I’d say where I was off was graphic design was/is certainly part of the problem of how we communicate online today, but I severely underestimated the scope of the issue. Anyways, just thought I’d share this little tidbit if jarrederraj history #graphicdesign #old #stilltryingtofigureitout—ciao.
red filter digital trickery, but in an old school kinda way…
Greetings folks, as promised in my last post, my friend Daniel and I went to Milan. I took my normal LUMIX, but put a red lens filter on it and shot square format monochrome the whole time we were there. The process was limiting in a very fun sort of way. When shooting in monochrome, you’re actually seeing the simulated effect of the red filter in the camera viewfinder. Nothing can replace shooting with TMAX 400 in a 35mm camera with the red filter, but this was an interesting experience—it made shooting digital somehow feel more special or unique. The color photos are from one of my favorite places in the world, Tipoteca and were shot in boring old normal raw format with my other DSLR, a Nikon D750.
I took the majority of the square format photos in Milano at Fondazione Prada, the Cimitero Monumentale di Milano, and the ADI Museum. Given that I had gone to graduate school and basically learned to teach and make with my friend Daniel, it was awesome to reconnect with him—we talked a lot about making and teaching—and the general state of those things in 2022. When we were in grad school we used to meet at least once a week to discuss these things. Those conversations were extremely helpful and I didn’t realize how much I’d been missing them. Since we both had our cameras, we spent a lot of time lingering and discussing what we were seeing through the viewfinders, using the cameras more or less as laser pointers to guide our conversations. I found this experience both enjoyable and mindful in a sense given the slowed, intentional pace we established. I don’t think it would have worked with the phone cameras because of all the distractions and ease that come along with using your phone as a camera. That said, I’ve been using my phone lately to shoot a lot of stuff from the hip while hiking or mountain biking—where ease of quick access is essential. There is something appealing about having a tiny high quality camera with you at all times—even if it does come with the distractions. I suppose we need to become better and handling distractions. On the flip side, there is something extremely appealing about the intentionality shooting with an actual camera brings to the table. And this, ultimately was why I have my LUMIX set up to shoot in such a limited way. We’ve all been told sometimes it’s easier to make great work when there are strict limitations—these limitations ultimately encourage innovation in a best case scenario. I don’t really think there’s much going on with my B/W squares above in terms of innovation, but I can say the limitations forced me to examine the content I was framing in a deeper way.
Dang. It’s important to have someone to talk shop with. I do miss that. Sometimes it feels like I’ve been working in a gigantic vacuum since around 2012. I was never really able to connect with anyone in academia the way I did with Daniel and our weekly coffee talks and ongoing collaborations (DRUGTOWN R.I.P.). Writing in this journal certainly helps, but nothing can replace a few hours of good old shop talk. I’d say out here in Italy I talk more shop with my camera and myself than I do anyone else, lol. It would be good if I changed that. A good place to start would be balancing the ratio of self-talk with talk to other creative people about their work, process, outlook, etc. I’ve been doing that more lately and I’m finding many folks are grappling with the same issues I am—in particular with social media, privacy, the current state / direction of academia in America, etc. Guess I still have a lot to figure out. For now—focus on the constants—the viewfinder, the sketchbook—the making, the sharing?. Ciao.